Authenticity, Change and Loss in the Conservation of Time-Based Media Installations PIP LAURENSON Fig.1 Sam Taylor-Wood Killing Time 1994 Installed at Tate Britain 2003. © Sam Taylor-Wood. Courtesy Tate 2006. enlarge If ontology is to be other than a philosopher’s game, it must reflect the ‘what’s and why’s’ informing the esteem that draws us to [...]
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